As a child, I recall my brother and father watching WWII movies, “The Big Red One” being one of their favorites. They liked to jokingly call it “The Big RED One,” instead of the “Big Red ONE.” I couldn’t have been less interested.
The war movies of my childhood
were primarily about men. If there were any women characters at all, they were
merely “skirts” or “broads” to chase. The films were violent and, frankly,
simplistic. There was an emphasis on the physical conflict between armies, and
none of the characters or events were nuanced in any way. There were “good
guys” (the Allies) and “bad guys” (the Axis powers). No thank you.
But something changed. For me, it
started with “Das Boot” in 1981. This film depicts sailors aboard a German
U-boat patrolling the Atlantic in 1941. Although the characters are “the
enemy,” they are portrayed as human, complex, and sympathetic. The film shows
not only tense scenes of battle, but also the mundane and tedious lulls between
battles.
Most good movies are based on
excellent books. This is true of most popular WWII movies. Fortunately, many of
the titles from the last decade that are set during the war feature aspects of
the war other than battles and some with female protagonists.
One highly acclaimed title is
Erik Larson’s “The Splendid and the Vile,” which focuses on Churchill’s first
year as Prime Minister and the effects the war has on his family as well as the
British people. The book opens on Churchill’s first day as Prime Minister and
recounts the devastating year that follows.
As with all of Larson’s immensely
readable works, “The Splendid and the Vile” recreates both public and private
scenes based on meticulous research and interviews. This particular book
details not only Churchill’s incredible leadership, but also the importance and
influence of the women around him, specifically his wife, Clemmy, and his
daughter Mary.
Larson’s “In the Garden of the
Beasts” recounts the rise of the Third Reich and the build-up to the war from
inside Berlin. The book focuses on the first US ambassador to Nazi Germany and
his party- and uniform-loving daughter.
One of my favorite wartime
stories is “The Woman Who Smashed Codes” by Jason Fagone. Elizebeth Friedman,
the mother of modern cryptography and cryptoanalysis, first became indispensable
to the government when she went to work breaking codes used by smugglers during
Prohibition. When the war broke out, she went to work decoding enemy messages,
including those produced by the “unbreakable” Nazi code machine, Enigma—using just
pencil and paper.
Friedman’s work was forgotten for
decades because J. Edgar Hoover claimed her accomplishments for his own agents,
and Friedman herself often allowed her work to be attributed to her
cryptologist husband, William.
“The Girls of Atomic City” by Denise
Kiernan focuses not on just one person, but on many of the women who helped
create a community in a secret government facility set on a muddy clearing in a
Tennessee forest. They had dangerous and dirty jobs, and although they weren’t
told what exactly they were working on, many of them figured it out themselves.
They were helping to create the uranium that would go into the world’s first
nuclear weapons.
My most recent wartime read is “A
Covert Affair” by Jennet Conant. The cover features Julia and Paul Child and suggests
that the book is about their time in the OSS—the precursor to the CIA—and the
FBI investigation of Paul. However, the book is primarily about Jane Foster, a
socialite heiress and artist from California.
The book is a fascinating account
of Foster’s bohemian life and her wartime work for the OSS. She was in the
propaganda division. She made friends with Julia and Paul while they were all
stationed in Ceylon and later in China. She also lived in Paris at the same
time as the Childs and socialized with them.
It was because of this long
friendship that Paul came under suspicion as Jane had been accused of spying by
another American spy. The book does go into detail about how Paul responded to
the investigation and fought to have his name cleared, eventually succeeding.
Although the book is not really
what is advertised either on the cover or on Amazon, it is still an interesting
read. It gives a detailed look at the work of the OSS during the war and a cogent
explanation of how Europe’s insistence on returning to colonial dominance of
Asia after the war led to the expansion of communism in the region and the
conflicts that followed.
John Wayne and “The Big Red One” notwithstanding, I am now a fan of books and movies about WWII.
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