Psychological thriller questions perception, mortality

Best-selling author Iain Reid’s newest, “We Spread,” is a riveting, disturbing examination of the isolation and decrepitude of old age. Some believe that death, and our foreknowledge of it, are the worst part of the human experience, but Reid’s latest novel shows us that there could be worse things.

Penny is an elderly woman living alone in a large city. Her long-time partner is dead. She goes for days or weeks without speaking to another human being and doesn’t seem to have any family. There is nothing about her existence that she enjoys.

The first part of the novel is quite difficult to read. Penny’s first person narration emphasizes her miserable marking of time without love or companionship. Even her cat has died. Then weird things begin happening.

She begins hearing voices coming from the next apartment, which is unoccupied. One day, standing at the window she sees a mysterious stranger staring up at her from the street. After she suffers a fall in her apartment, her landlord packs her up and deposits her at Six Cedars, an assisted living residence.

However, strange things continue to happen once she is at Six Cedars. There are only four residents. The only staff are Shelley, the director, and Jack, an assistant. At first, Penny is happy to find that she sleeps soundly at night and that her appetite has returned. However, when she’s been there just four days, she is told she has been there for three years.

And there are mysterious gaps in her memory. She wakes from naps she doesn’t remember lying down for. She looks out a window briefly to find that hours have passed. Her slippers fit fine one day but are too small the next and too large the day after that.

Penny suspects that Shelley is up to something nefarious. Her conversations with Jack convince her of it. Shelley tells Penny that everyone wants more time. More time to live, to work. However, Penny comes to realize that immortality comes at a price, one that is perhaps too high.

Although Penny is suspicious of Shelley and mourns the loss of her memories, she does find human connection that renews her energy and appreciation of life. Hilbert, another resident, becomes a particular friend to Penny. She quickly comes to care for him and tries to protect him.

Hilbert explains to her about Pando, as aspen tree colony that is actually one organism with a massive, connected root system. Pando, Latin for “I spread,” becomes the primary metaphor of the novel. It’s suggested that Shelley, a former biologist, is trying to prove that a similar interconnectedness among people will give them infinite time on Earth. Penny concludes that interconnectedness is what gives our lives meaning and purpose but that infinite time is too much.

Penny’s narration and limited point of view ask the reader to wonder if Shelley is up to no good, or if Penny is merely suffering from dementia. The novel’s ending gives no clear answers. However, this psychological thriller, out Sept. 27, will certainly leave the reader thinking about how we live our lives, especially how we end them, and how much we should rely on our own perceptions. Certainly not light reading, the novel is rewarding for those who appreciate an unreliable narrator and an ambiguous ending.